Exploration Log 13: Interview with Matthew I. Thompson, author of On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026)

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  • Matthew I. Thompson’s On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). Photographed by me on a hike in Pembroke, VA.

Over the last few years, I have highlighted a smattering of the vast range of spectacular scholarship on science fiction in my reviews and Exploration Log series that intrigue me.1 Today I have an interview with Matthew I. Thompson, author of the brand new book On Life Support: Eco-Dystopian Cinema in the Long 1970s (2026). Due to the focus of my site and research interests, I focused my questions primarily on the historical rather than theory-focused sections of his book.

You can buy a copy directly from University of Minnesota Press here or on Amazon. Paperbacks copies are relatively inexpensive ($28) for an academic press.

Let’s get to the interview and the intersections of the environmentalist movement and dystopian science fiction film!

  • Graphic created by my father

1. Thank you so much for agreeing to this interview. Can you introduce yourself and your interest in science fiction cinema?

Thanks so much for having me! My name is Matthew I. Thompson and I am an assistant professor of film studies at the University of Regina. My interest in science fiction began early, as my mom introduced me to the sf cannon. I remember watching the original Star Wars trilogy (1977, 80, 83) and Blade Runner (1982) on VHS and reading The Hitchhiker’s Guide to the Galaxy (1979) and The Left Hand of Darkness (1969). I’ve always loved how good sf establishes a world with its own internal rules and atmosphere. I’m especially into the terminology for as-yet un-invented technologies that are taken for granted in the world of the story.

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Short Fiction Review: Alan E. Nourse’s “Marley’s Chain” (1952) and Edward W. Ludwig’s “The Rocket Man” (1951)

/ Joachim Boaz / 6 Comments

Today I’ve selected two lesser-known short stories from the early 1950s that explore issues of race in America. The Civil Rights mass movement gathered steam in the post-WWII world as soldiers returned to segregated hometowns. The federal government took a few tentative steps. In 1948, President Truman issued Executive Oder 9981, which abolished discrimination “on the basis of race, color, religion or national origin” in the United States Armed Forces.1 Both stories I chose for this post appeared in print before the famous Supreme Court case Brown vs. Board of Education (1954) that ruled segregation was inherently unequal. In Edward W. Ludwig’s “The Rocket Man” (1951), a young white child yearns to lead an expedition to Mars. He finds fellowship with other outcasts, including an African American boy who also dreams of space. In Alan E. Nourse’s “Marley’s Chain” (1951), a man must confront his own problematic past in a new America rebuilding from the wreckage of the old.

If you know of any other 1940s/50s short stories that attempt to tackle the topics of race and racism, let me know. As I’m afflicted with a serious strain of listomania, I’ve collated an incomplete catalog on the topic that I will return to periodically in coming months.

Let’s get to the stories!

  • Ted Speicher’s interior art for Alan E. Nourse’s “Marley’s Chain” in If, ed. Paul W. Fairman (September 1952)

4/5 (Good)

Alan E. Nourse’s “Marley’s Chain” first appeared in If, ed. Paul W. Fairman (September 1952). You can read it online here.

Alan E. Nourse (1928-1992) re-entered my shortlist of authors I need to read as a result of my hunt for science fiction on the labor movement. Nourse might be best known for his many medical-themed stories (he was a practicing physician and wrote popular columns on medicine). He deviates from that interest with a classic illustration of 1950s anti-union sentiment in “Meeting of the Board” (1955), which I’ll cover eventually. While searching for further labor-related short stories, I came across a far different (and more perceptive) account of race and labor in America: “Marley’s Chain” (1952).2

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Short Book Reviews: Fritz Leiber, Jr.’s Gather, Darkness! (1943, novelized 1950) and Gillian Freeman’s The Leader (1965)

/ Joachim Boaz / 21 Comments

Note: My read but “waiting to be reviewed pile” is growing. Short rumination/tangents/impressions are a way to get through the stack before my memory and will fades. My website partially serves as a record of what I have read and a memory palace for future projects. Stay tuned for more detailed and analytical reviews.

1. Fritz Leiber’s Gather, Darkness! (1943, novelized 1950)

  • Uncredited cover for the 1950 1st hardback edition

3.25/5 (Above Average)

Frtiz Leiber’s Gather, Darkness! first appeared across the May, June, and July 1943 issues of Astounding Science-Fiction, ed. John W. Campbell, Jr. It was novelized in 1950. Written in the midst of WWII, Gather, Darkness! is a product of an important moment in Leiber’s life. The previous year he abandoned his profession as a speech and drama instructor at Occidental College (1941-1942) and decided that “the struggle against fascism mattered more than his long-held pacifist convictions.” He joined Douglas Aircraft as a quality inspector and continued to publish science fiction.1

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Updates: Recent Science Fiction Purchases No. CCCXLVIII (Eric Frank Russell, Ben Bova, Pat Frank, and John Collier)

/ Joachim Boaz / 15 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

1. Men, Martians, and Machines, Eric Frank Russell (1955)

  • Paul Lehr’s–uncredited but certainly his style–cover for the 1965 edition

From the back cover: “VOYAGE OF THE MARATHON. Even at the time when space ships were making regular voyages across the universe, the MARATHON was a remarkable craft. Powered by the Flettner system, its speed was so great that for the first time exploration of the outer galaxies was made possible.

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Generation Ship Short Stories: Mari Wolf’s “The First Day of Spring” (1954) and Francis G. Rayer’s “Continuity Man” (1959)

/ Joachim Boaz / 14 Comments

This is the 22nd post in my series of vintage generation ship short fiction reviews. While I have dabbled in the more esoteric as of late due the rapidly decreasing number of available choices, thanks go out to all who have joined some part of my read-through already. I’ve also compiled an extensive index of generation ship SF–expanded from a monograph by Simone Caroti–if you wish to track down my earlier reviews on the topic and any that you might want to read on your own.1

Previously: George Hay’s Flight of the “Hesper” (1952)

Next Up: TBD

  • Kenn Fagg’s cover for If, ed. James L. Quinn (June 1954)

2.75/5 (Below Average)

Mari Wolf’s “The First Day of Spring” first appeared in If, ed. James L. Quinn (June 1954). You can read it online here.

As I mentioned in my only other review of Mari Wolf’s work, she’s best known for her contributions to fandom including the Fandora’s Box column (1951-1956) in Imagination. In addition, Mari Wolf (1926-) published seven short stories between 1952 and 1954, six of which appeared in If. Unfortunately, after her divorce in 1955 from fellow SF author Rog Phillips (1909-1966), she stopped publishing SF. Here is a brief bibliographic blurb on her life, career, and SF endeavors. Ted White wrote an article about her in the fanzine e*I*5 (Vol. 1 No. 5) December 2002 (here). The issue also includes Wolf’s short story “Prejudice” (1953), which only received a fanzine publication.

The Nature of the Generational Voyage

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Book Review: William Tenn’s Time in Advance (1958)

/ Joachim Boaz / 16 Comments
  • Mitchell Hooks’ cover for the 1st edition

3.5/5 (collated rating: Good)

Over the years, I’ve slowly made my way through a substantial portion of William Tenn’s output: I’ve reviewed his only SF novel Of Men and Monsters (1968), two short story collections–The Human Angle (1956) and Of All Possible Worlds (1955), and three additional short stories “Bernie the Faust” (1963), “Eastward Ho!” (1958), and “Generation of Noah” (1951). I’ve found him an effective satirist with a penchant for often self-defeating twist endings. At his best, Tenn challenges grand narratives of American progress and exceptionalism, 50s consumerist culture and gender roles, and renders an absurdist spin on Cold War conflict. I imagine his reluctance to write novels relegates his often brilliant ouvre to the fringes of contemporary interest in 50s SF.

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Updates: Recent Science Fiction Purchases No. CCCXLVII (Edgar Pangborn, Rudy Rucker, Sally Miller Gearhart, and a SF anthology)

/ Joachim Boaz / 21 Comments

Which books/covers/authors intrigue you? Which have you read? Disliked? Enjoyed?

The first purchases of 2026!

1. A Mirror For Observers, Edgar Pangborn (1954)

  • Richard Powers’ cover for the 1985 edition

From the back cover: “We would call them Martians, though they refer to themselves as Salvayans. Refugees from their dying planet, they arrived on our world almost 30,000 years ago to make new lives for themselves. From their vast underground cities, hidden from discovery, the Salvayans have ben observing us with care and concern, waiting for the day when humans will be ready to meet them. The Salvayans are not many, but they are long-lived and patient….

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Exploration Log 12: Adam Rowe on the Best Retro Science Fiction Art Collections

/ Joachim Boaz / 14 Comments
  • Jim Burns’ cover for the 1st edition of Mechanismo (1978)

I would like to welcome Adam Rowe again to Science Fiction and Other Suspect Ruminations. Back in 2023, I interviewed him about his lovely book Worlds Beyond Time: Sci-Fi Art of the 1970s (2023)–on 70s science fiction cover art with a foreword by SF artist Vincent Di Fate. You can buy Worlds Beyond Time on Amazon and Barnes and Noble. You can follow Adam’s art account on Bluesky and Tumblr. I also recommend subscribing to his free 70s SF art newsletter.

Adam Rowe is a writer who has been collecting retro science fiction art online since 2013. He covers technology at Tech.co and has been a Forbes contributor on publishing and the business of storytelling. He has also written for iO9, Popular Mechanics, Reactormag.com (previously Tor.com), and the Barnes & Noble Sci-Fi & Fantasy Blog. Worlds Beyond Time: Sci-Fi Art of the 1970s (2023) is his first book.

  • Graphic created by my father

Your Guide to the Best Retro Science Fiction Art Collections

Adam Rowe

I’ve read a lot of art books covering science fiction in the 20th century. This likely isn’t a big surprise, given that I sunk more than a few years into compiling my own retrospective art collection, Worlds Beyond Time: Sci-Fi Art of the 1970s. 

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Short Story Review: Herbert W. Franke’s “Slum” (1970, trans. by Chris Herriman 1973)

/ Joachim Boaz / 8 Comments

Today I’m joined again by Rachel S. Cordasco, the creator of the indispensable website and resource Speculative Fiction in Translation, for the seventh installment of our series exploring non-English language SF worlds. Last time we covered Izumi Suzuki’s disturbed shocker “Terminal Boredom” (1984, trans. by Daniel Joseph 2021).

Please note that Rachel and I are interested in learning about a large range of authors and works vs. only tracking down the best. That means we’ll encounter some stinkers. This time we have an interesting German-language tale of ecological dystopia from Austria.

You can read Herbert W. Franke’s “Slum” (1970, trans. by Chris Herriman 1973) here if you have an Internet Archive account. This is an six page story. It’s really hard to talk about it in any substantial way without revealing spoilers.

Thank you Cora Buhlert for the recommendation!

Enjoy!

  • Gianni Benvenuti’s cover for the 1978 edition

Rachel S. Cordasco’s Review

Austrian-born author and cyberneticist Herbert W. Franke used speculative fiction to imagine distant planets and alternative societies for over half a century. Known to Anglophone readers mostly for three novels translated in the 1970s (The Orchid Cage, The Mind Net, and Zone Null) and a few short stories, Franke asked readers to think through what “exploration” really means and the responsibilities that the explorers have to those whom they find (or don’t find). Appearing first in English in F&SF (1963), Franke was subsequently featured in Franz Rottensteiner’s three major SFT anthologies: View From Another Shore: European Science Fiction (1973),The Best of Austrian Science Fiction (2001), and The Black Mirror and Other Stories: An Anthology of Science Fiction from Germany and Austria (2008). Other Franke stories appeared in Donald A. Wollheim’s The Best from the Rest of the World (1976) and James Gunn’sThe Road to Science Fiction 6: Around the World (1998).

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